Roger Waters Setlist
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*Roger Waters Setlist St Paul
*Us And Them Tour Setlist
*Roger Waters Setlist Milwaukee’Welcome to the Machine’Song by Pink Floydfrom the album Wish You Were HerePublishedPink Floyd Music Publishers LtdReleased13 September 1975RecordedJanuary–July 1975Genre
*space rock[1]Length7:31LabelSongwriter(s)Roger WatersProducer(s)Pink Floyd
Get the Roger Waters Setlist of the concert at Ziggo Dome, Amsterdam, Netherlands on June 19, 2018 from the Us + Them Tour and other Roger Waters Setlists for free on setlist.fm! The Us + Them Tour was a concert tour by Roger Waters, formerly of Pink Floyd.The tour visited the United States, Canada, New Zealand, Australia and countries in Europe and Latin America, showcasing songs from Waters’ career with Pink Floyd and from his most recent album as a solo artist, Is This the Life We Really Want?
’Welcome to the Machine’ is the second song on Pink Floyd’s 1975 album Wish You Were Here.[2][3] Ff3 android cheats pc. It features heavily processed synthesizers and acoustic guitars, as well as a wide range of tape effects. Both the music and the lyrics were written by bassist Roger Waters.
Roger Waters – The Wall – Live In Berlin – 7/21/90 Audio: World of Music Setlist: Roger Waters The Wall – Live In Berlin Berlin, Germany 7/21/1990. The Dark Side of the Moon Live was a worldwide concert tour by Roger Waters, lasting two years.Waters and his band performed the titular album in its entirety at each show, beginning at the Rock in Rio festival on 2 June 2006. Directed by Sean Evans, Roger Waters. With Roger Waters, Dave Kilminster, Snowy White, G.E. Details one of the most elaborately staged theatrical productions in music history as Pink Floyd frontman Roger Waters performs the band’s critically acclaimed album The Wall in its entirety.Recording[edit]
The track was built upon a basic throbbing sound made by an EMS VCS 3 followed by a one-repeat echo which Waters would have played originally on bass guitar (which he overdubs an actual bass part to the song which is more predominant on the Stereo Quad mix). On the original LP, the song segued from the first 5 parts of the suite ’Shine On You Crazy Diamond’ and closed the first side. On the CD pressings, especially the 1997 and 2000 remastered issues, it segues (although very faintly) to ’Have a Cigar’. This segueing is a few seconds longer on the US version than the UK version. David Gilmour admitted that he had trouble singing one line of the song, saying, ’It was a line I just couldn’t reach, so we dropped the tape down half a semitone.’[4] He sang the part at a slightly lower pitch, then the tape speed was raised back to normal.Time signatures[edit]
Like many Pink Floyd songs, ’Welcome to the Machine’ features some variations in its meter and time signatures. Each bass ’throb’ of the VCS synthesizer is notated as a quarter note in the sheet music, and each note switches from one side of the stereo spread to the next (this effect is particularly prominent when listened to on headphones). Although the introduction of the song (when the acoustic guitar enters) does not actually change time signatures, it does sustain each chord for three measures, rather than two or four, resulting in a nine-bar intro where an even number of bars might be expected.The verses and choruses are largely in 4/4, or ’common time’. However, on the line ’It’s all right, we know where you’ve been’, a measure of 7/4 is inserted, shortening the sequence, and causing the left-right stereo panning to be reversed for quite some time. An instrumental section begins, with the acoustic guitar adding variations in its strum pattern, until it switches to 3/4 for a length of time, when a 12-string acoustic riff is introduced, ascending up the E minor scale until the chord changes to C major seventh. Finally, the instrumental section ends, and the second verse begins. With the lyric, ’It’s all right, we told you what to dream’, once again a measure of 7/4 is inserted, and the stereo panning is finally returned to normal. Incidentally, these two phrases beginning with ’It’s all right ..’ are the only parts to feature any chord other than some form of E minor or C major—these phrases go to an A bass in the first verse, and in the second verse, the acoustic guitar articulates the A as a major chord, with its C# in contradiction of the frequent C chords. The song remains in 4/4 from this point forward.[5]Music video[edit]
The music video was animated by Gerald Scarfe which was initially a backdrop film for when the band played the track on their 1977 In the Flesh tour. The fanciful video begins with what appears to be a giant mechanical axolotl crawling across a rocky terrain. The scene segues into a desolate industrial cityscape consisting of towering gleaming steel structures. A cylinder disturbingly cracks and oozes blood while a cuboid unfolds itself and the scene goes into girders laden with decayed corpses and rats (with one of them looking emaciated). A view of a barren landscape with a tower that extends from the horizon that morphs into a screaming unnatural form, which then stops to pant for a few seconds before viciously decapitating an unsuspecting man in the foreground. The head then very slowly decomposes to a skull as the sun sets. Finally, three buildings stand tall until an ocean of blood washes away this scene. The waves turn into thousands of hands waving in rhythm to the music (much like people at a rock concert). All of the surrounding structures are swept away except for one. Despite being pulled at by the bloody masses, the monolith survives and synchronizing with the synthesized sound at the end of the track, it flies upwards high above the clouds into space where it fits securely into a hole in a massive floating ovoid object.[6]Personnel[edit]
Music and lyrics by Roger Waters.
*David Gilmour – six and 12-string acoustic guitars, double-tracked vocals
*Nick Mason – timpani, cymbals
*Roger Waters – bass guitar, EMS VCS 3
*Richard Wright – EMS VCS 3, Hammond organ, ARP String Ensemble, MinimoogLive performances[edit]
The song was performed for the first time on Pink Floyd’s 1977 In the Flesh tour. Gilmour and Waters shared lead vocals, although in initial performances, Gilmour sang on his own with some backing vocals by Waters. Also for the 1977 live performances, David Gilmour played his acoustic guitar parts on his Black Strat, Waters played an Ovation acoustic guitar, Snowy White played bass guitar, Nick Mason played his tympani parts on his drum kit with mallets, and Rick Wright handled the Mini-Moog synths and VCS3 while Dick Parry played the string synths off-stage. The live renditions of the song were complex because music had to be synchronised with the backdrop film and its sound effects. As a result, the band had to wear headphones and listen to a click-track which, in turn, meant that there was very little room left for improvisation.
Pink Floyd would play the song again on their A Momentary Lapse of Reason Tour (1987-89) where Tim Renwick played lead guitar, while Gilmour played a 12-string acoustic guitar. These renditions were not synchronised to the film.
The song was performed by Roger Waters during his 1984-85 Pros and Cons of Hitch Hiking Tour, on the 1987 Radio K.A.O.S. Tour, with Mel Collins as saxophone soloist. All of these performances were perfectly synchronised to the film. These live versions deviated significantly from the album version. It was also played on the 1999–2002 In the Flesh tour (only stills from the animation were used) and appears on the In the Flesh concert DVD and CD. Waters also performed the song on his Us + Them Tour (2017-18),[7] in a version which resembles the album version, in which the music is yet again synchronised perfectly with the screen video.Studio notes[edit]
David Gilmour’s quotes on the recording process, taken from the Wish You Were Here songbook.[4]
The only time we’ve ever used tape speed to help us with vocals was on one line of the Machine song. It was a line I just couldn’t reach so we dropped the tape down half a semitone and then dropped the line in on the track.— David Gilmour, 1975, WYWH Songbook
It’s very much a made-up-in-the-studio thing which was all built up from a basic throbbing made on a VCS 3, with a one repeat echo used so that each ’boom’ is followed by an echo repeat to give the throb. With a number like that, you don’t start off with a regular concept of group structure or anything, and there’s no backing track either. Really it is just a studio proposition where we’re using tape for its own ends -- a form of collage using sound.
It’s very hard to get a full synthesiser tone down on tape. If you listen to them before and after they’ve been recorded, you’ll notice that you’ve lost a lot. And although I like the sound of a synthesiser through an amp, you still lose something that way as well. Eventually what we decided to do was to use D.I. on synthesiser because that way you don’t increase your losses and the final result sounds very much like a synthesiser through a stage amp.— David Gilmour, 1975, WYWH SongbookRoger Waters Setlist St PaulReferences[edit]
*^Bill Wyman. ’All 165 Pink Floyd Songs, Ranked From Worst to Best’. Vulture. Retrieved 22 February 2020. ..this is one of the greatest sci-fi rock songs of all time.
*^Strong, Martin C. (2004). The Great Rock Discography (7th ed.). Edinburgh: Canongate Books. p. 1177. ISBN1-84195-551-5.
*^Mabbett, Andy (1995). The Complete Guide to the Music of Pink Floyd. London: Omnibus Press. ISBN0-7119-4301-X.
*^ abCooper, Gary. ’Wish You Were Here songbook’. www.pink-floyd.org. Retrieved 22 July 2017.
*^Pink Floyd: Wish You Were Here (1975 Pink Floyd Music Publishers Ltd., London, England, ISBN0-7119-1029-4 [USA ISBN0-8256-1079-6])
*^Welcome to the Machine video on YouTube
*^’Roger Waters Setlist at Meadowlands Arena, East Rutherford’. setlist.fm. Retrieved 22 July 2017.External links[edit]Wikiquote has quotations related to: Wish You Were Here (Pink Floyd album)Us And Them Tour Setlist
*Lyrics of this song at MetroLyricsRetrieved from ’https://en.wikipedia.org/w/index.php?title=Welcome_to_the_Machine&oldid=992760007’Roger Waters Setlist MilwaukeeRoger Waters Setlistroger waters
*George Roger Waters (born 6 September 1943) is an English rock musician, singer-songwriter and composer. He gained fame as the principal songwriter, lyricist, bass player, co-lead vocalist and one of the founding members of the rock band Pink Floyd. setlist
*A set list, or setlist, is a document that lists the songs that a band or musical artist intends to play during a specific concert performance. Hand-written or printed, on paper, cardboard, or laminate, it is usually taped to the stage, or somewhere the musicians can see it.
*A document itemizing the songs to be played by a particular band or musical act for a particular show or tour
*A set-list is a playlist, or a grouping of songs, to serve a specific purpose during an event or performance.roger waters setlist - Pink Floyd 2 DVD set includes live Concert Part 1: ’Shine On’, ’Learning To Fly’, ’High Hopes’, ’Take It Back’, ’Coming Back To Life’, ’Sorrow’, ’Keep Talking’, ’Another Brick In The Wall (part 2)’ and ’One of These Days’ plus the Screen Films: ’Shine On’, ’High Hopes’ and ’Learning to Fly’ plus Bootlegging the Bootleggers: ’What Do You Want From Me’, ’On The Turning Way’, ’Poles Apart’ and ’Marooned’ plus the Shorts: ’Time’ (Eames), ’Money’ (Alien), ’Speak To Me’ (1987) and a Pulse TV Advert as well as the videos for ’Learning To Fly’ and ’Take It Back’. Disc 2 includes the Concert Part 2: ’Speak To Me’, ’Breathe’, ’On The Run’, ’Time’, ’The Great Gig In The Sky’, ’Money’, ’Us And Them’, ’Brain Damage’, ’Eclipse’, ’Wish You Were Here’, ’Comfortably Numb’ and ’Run Like Hell’. Screen Films include ’Speak To Me’ (graphic), ’On The Run’, ’Time 1994’, ’The Great Gig in the Sky’ (wave), ’Money’, ’Us And Them 1987’, ’Brain Damage’ and ’Eclipse’. Also includes alternate Screen Films, Behind the Scenes Footage, Rock and Roll Hall of Fame Induction Ceremony and Photo Gallery. The DVD boasts a 5.1 audio soundtrack and rare video footages including the entire Dark Side Of The Moon backdrop films and the not very well known Money alien version. The DVD lasts well over 3 hours!
At long last Pink Floyd: Pulse has arrived on DVD, and Floyd fans already know it’s a major cause to celebrate. The original VHS release was a milestone bestseller, but it seemed to take forever for the DVD to arrive, with numerous delays while Floyd guitarist David Gilmour and long-time Floyd producer James Guthrie labored to restore, re-edit, and remix this legendary concert video in 5.1-channel Dolby Surround Sound. The resulting two-disc set was well worth the wait: While the limitations of the original video source are still evident in the sometimes-hazy image quality (Gilmour would later admit the concert should have been captured on film), Floyd fans will unanimously agree that Pulse has never looked or sounded better, and only the absence of group co-founder Roger Waters prevents this from being the ultimate document of Pink Floyd in performance. (Even without Waters, it’s easily one of the group’s most impressive stage productions.) Gracefully directed with minimal intrusion by veteran music video and concert director David Mallet, and shot on video during Pink Floyd’s two-week stint at London’s Earls Court Exhibition Centre in October 1994, this 145-minute performance (from Floyd’s Division Bell tour) is a sonic marvel to behold. Under a massive arch festooned with then-state-of-the-art laser, lighting, and projection systems, the 1987 incarnation of Pink Floyd (Gilmour, keyboardist Richard Wright, and drummer Nick Mason) and their stellar supporting band kicks off with ’Shine on You Crazy Diamond’ (a loving tribute to Floyd co-founder Syd Barrett), followed by four tracks from The Division Bell, two from 1987’s A Momentary Lapse of Reason, ’Another Brick in the Wall (Part 2)’ from 1979’s magnum opus The Wall, and leading into intermission with an absolutely stunning performance of ’One of These Days,’ the timeless opening track from 1971’s Meddle.
The centerpiece of Disc 2 is a near-perfect performance of 1974’s Dark Side of the Moon in its entirety--reason enough to make this a must-have DVD for even the most casual Floyd admirers. And while no one will ever re-create the sheer magnificence of Clare Torry’s original tour de force vocals on ’The Great Gig in the Sky,’ it’s safe to say that backup singers Sam Brown, Claudia Fontaine, and Durga McBroom deliver the next best thing, in addition to seamless contributions throughout the concert. After the closing heartbeat of ’Eclipse,’ the concert ends with encore performances of ’Wish You Were Here,’ ’Comfortably Numb,’ and a no-holds-barred, pyrotechnically explosive rendition of The Wall’s ’Run Like Hell,’ all showcasing Gilmour’s guitar mastery with frequent close-ups of his picking and fret-work as seen throughout the concert. (Like Gilmour, Mason and Wright were never dynamic onstage, and that’s true here as well, but their technical precision is fully evident, and while guitarist Tim Renwick and saxophonist Dick Parry are each given moments to shine, bassist Guy Pratt is a worthy substitution for Waters, especially when vocally sparring with Gilmour on ’Run Like Hell.’)
With beautiful packaging, an 8-page booklet, and menu designs by long-time Floyd associate Storm Thorgerson, the DVDs offer an abundance of bonus features including ’Bootlegging the Bootleggers,’ featuring surprisingly good-quality ’boot’ video performances of ’What Do You Want From Me?,’ ’On the Turning Away,’ ’Poles Apart,’ and ’Marooned.’ The surreal round-ratio screen films seen throughout the concert can all be viewed independently (still in round format, and several offered in both original and alternate versions). Music videos for ’Learning to Fly’ and ’Take It Back’ are included on Disc 1, along with ’Tour Stuff’ including maps, itineraries, and stage plans for the 1994 tour. ’Say Goodbye to Life as We Know It’ is a playful backstage video (mostly involving the production staff’s ongoing quest for a good pint of beer), and after delivering a heartfelt introduction to Pink Floyd’s 1996 induction into the Rock and Roll Hall of Fame (with Roger Waters and Syd Barrett acknowledged by Gilmour), Smashing Pumpkins leader Billy Corgan joins Gilmour and Wright for a moving acoustic performance of ’Wish You Were Here’ (directed at Waters, perhaps?). Additional features include album cover art, a photo gallery, and the concert-only audio choice between a 448kbps audio bitstream or a higher-quality 640kbps stream for higher-quality DVD players. The system set-up feature ensures that audiophiles will achieve optimum speaker performance in keeping with Pink Floyd’s exacting technical standards. In tandem with the superior concert presentation, these features make Pulse one of the best--if not the best--music DVDs of 2006, guaranteed to satisfy Floyd fans for many years to come. --Jeff Shannon
More from Pink Floyd and David Gilmour
Pulse (CD)
Is There Anybody Out There?/The Wall Live Pink Floyd 1980-81
Pink Floyd--The Wall 25th Anniversary (DVD)
The Division Bell, Pink Floyd
Delicate Sound of Thunder, Pink Floyd
A Momentary Lapse of Reason, Pink Floyd
Live 8 on DVD--Featuring Pink Floyd
Pink Floyd--Live at Pompeii (Director’s Cut) (DVD), Pink Floyd
On an Island, David Gilmour
Roger Waters & I Hace exactamente un ano atras que este gran genio de la musica toco en nuestro Estadio Nacional un setlist memorable. Esta foto recuerda el momento mas feliz de mi vida (en el ambito floydiano) y casi como si fuera una treta del destino que presagiaba una hermosa relacion, fue el mismo fotografo que tomo la foto, quien unos meses despues tendria un bello noviazgo conmigo. Gracias Amor mio, porque una vez mas, pudiste capturar la esencia del momento.. Si no fuera por ti, no tendria recuerdo alguno de este gran momento. Te amo Osho!! Jonathan Davis (KIKA) - LOS ANGELES, 5 DIC Jonathan Davis, leader dei Korn, si esibisce da solista all’Orpheum Theatre, una delle sale storiche di Los Angeles. Nella setlist del tour sono inclusi brani della metal band e b-sides, canzoni tratte dalla colonna sonora del film La Regina dei Dannati e cover che Davis ama particolarmente. Supporters della serata oltre ai Godhead, il cantante Shenkar, famoso per le sue tonalita pop-tecno-indie e per aver collaborato con moltissime star del calibro di Bono, Madonna, Roger Waters, Elton John e altri. roger waters setlist Explosive live set from the hard-rocking hit-making band include the classic Smoke on the Water and many more tunes. 2001/color/120 min/NR.
’It works extremely well or it doesn’t work at all,’ says Deep Purple drummer Ian Paice on this concert DVD, reflecting on DP’s 25th anniversary reunion tour. This great-sounding disc (filmed in Birmingham, England, on November
https://diarynote.indered.space
*Roger Waters Setlist St Paul
*Us And Them Tour Setlist
*Roger Waters Setlist Milwaukee’Welcome to the Machine’Song by Pink Floydfrom the album Wish You Were HerePublishedPink Floyd Music Publishers LtdReleased13 September 1975RecordedJanuary–July 1975Genre
*space rock[1]Length7:31LabelSongwriter(s)Roger WatersProducer(s)Pink Floyd
Get the Roger Waters Setlist of the concert at Ziggo Dome, Amsterdam, Netherlands on June 19, 2018 from the Us + Them Tour and other Roger Waters Setlists for free on setlist.fm! The Us + Them Tour was a concert tour by Roger Waters, formerly of Pink Floyd.The tour visited the United States, Canada, New Zealand, Australia and countries in Europe and Latin America, showcasing songs from Waters’ career with Pink Floyd and from his most recent album as a solo artist, Is This the Life We Really Want?
’Welcome to the Machine’ is the second song on Pink Floyd’s 1975 album Wish You Were Here.[2][3] Ff3 android cheats pc. It features heavily processed synthesizers and acoustic guitars, as well as a wide range of tape effects. Both the music and the lyrics were written by bassist Roger Waters.
Roger Waters – The Wall – Live In Berlin – 7/21/90 Audio: World of Music Setlist: Roger Waters The Wall – Live In Berlin Berlin, Germany 7/21/1990. The Dark Side of the Moon Live was a worldwide concert tour by Roger Waters, lasting two years.Waters and his band performed the titular album in its entirety at each show, beginning at the Rock in Rio festival on 2 June 2006. Directed by Sean Evans, Roger Waters. With Roger Waters, Dave Kilminster, Snowy White, G.E. Details one of the most elaborately staged theatrical productions in music history as Pink Floyd frontman Roger Waters performs the band’s critically acclaimed album The Wall in its entirety.Recording[edit]
The track was built upon a basic throbbing sound made by an EMS VCS 3 followed by a one-repeat echo which Waters would have played originally on bass guitar (which he overdubs an actual bass part to the song which is more predominant on the Stereo Quad mix). On the original LP, the song segued from the first 5 parts of the suite ’Shine On You Crazy Diamond’ and closed the first side. On the CD pressings, especially the 1997 and 2000 remastered issues, it segues (although very faintly) to ’Have a Cigar’. This segueing is a few seconds longer on the US version than the UK version. David Gilmour admitted that he had trouble singing one line of the song, saying, ’It was a line I just couldn’t reach, so we dropped the tape down half a semitone.’[4] He sang the part at a slightly lower pitch, then the tape speed was raised back to normal.Time signatures[edit]
Like many Pink Floyd songs, ’Welcome to the Machine’ features some variations in its meter and time signatures. Each bass ’throb’ of the VCS synthesizer is notated as a quarter note in the sheet music, and each note switches from one side of the stereo spread to the next (this effect is particularly prominent when listened to on headphones). Although the introduction of the song (when the acoustic guitar enters) does not actually change time signatures, it does sustain each chord for three measures, rather than two or four, resulting in a nine-bar intro where an even number of bars might be expected.The verses and choruses are largely in 4/4, or ’common time’. However, on the line ’It’s all right, we know where you’ve been’, a measure of 7/4 is inserted, shortening the sequence, and causing the left-right stereo panning to be reversed for quite some time. An instrumental section begins, with the acoustic guitar adding variations in its strum pattern, until it switches to 3/4 for a length of time, when a 12-string acoustic riff is introduced, ascending up the E minor scale until the chord changes to C major seventh. Finally, the instrumental section ends, and the second verse begins. With the lyric, ’It’s all right, we told you what to dream’, once again a measure of 7/4 is inserted, and the stereo panning is finally returned to normal. Incidentally, these two phrases beginning with ’It’s all right ..’ are the only parts to feature any chord other than some form of E minor or C major—these phrases go to an A bass in the first verse, and in the second verse, the acoustic guitar articulates the A as a major chord, with its C# in contradiction of the frequent C chords. The song remains in 4/4 from this point forward.[5]Music video[edit]
The music video was animated by Gerald Scarfe which was initially a backdrop film for when the band played the track on their 1977 In the Flesh tour. The fanciful video begins with what appears to be a giant mechanical axolotl crawling across a rocky terrain. The scene segues into a desolate industrial cityscape consisting of towering gleaming steel structures. A cylinder disturbingly cracks and oozes blood while a cuboid unfolds itself and the scene goes into girders laden with decayed corpses and rats (with one of them looking emaciated). A view of a barren landscape with a tower that extends from the horizon that morphs into a screaming unnatural form, which then stops to pant for a few seconds before viciously decapitating an unsuspecting man in the foreground. The head then very slowly decomposes to a skull as the sun sets. Finally, three buildings stand tall until an ocean of blood washes away this scene. The waves turn into thousands of hands waving in rhythm to the music (much like people at a rock concert). All of the surrounding structures are swept away except for one. Despite being pulled at by the bloody masses, the monolith survives and synchronizing with the synthesized sound at the end of the track, it flies upwards high above the clouds into space where it fits securely into a hole in a massive floating ovoid object.[6]Personnel[edit]
Music and lyrics by Roger Waters.
*David Gilmour – six and 12-string acoustic guitars, double-tracked vocals
*Nick Mason – timpani, cymbals
*Roger Waters – bass guitar, EMS VCS 3
*Richard Wright – EMS VCS 3, Hammond organ, ARP String Ensemble, MinimoogLive performances[edit]
The song was performed for the first time on Pink Floyd’s 1977 In the Flesh tour. Gilmour and Waters shared lead vocals, although in initial performances, Gilmour sang on his own with some backing vocals by Waters. Also for the 1977 live performances, David Gilmour played his acoustic guitar parts on his Black Strat, Waters played an Ovation acoustic guitar, Snowy White played bass guitar, Nick Mason played his tympani parts on his drum kit with mallets, and Rick Wright handled the Mini-Moog synths and VCS3 while Dick Parry played the string synths off-stage. The live renditions of the song were complex because music had to be synchronised with the backdrop film and its sound effects. As a result, the band had to wear headphones and listen to a click-track which, in turn, meant that there was very little room left for improvisation.
Pink Floyd would play the song again on their A Momentary Lapse of Reason Tour (1987-89) where Tim Renwick played lead guitar, while Gilmour played a 12-string acoustic guitar. These renditions were not synchronised to the film.
The song was performed by Roger Waters during his 1984-85 Pros and Cons of Hitch Hiking Tour, on the 1987 Radio K.A.O.S. Tour, with Mel Collins as saxophone soloist. All of these performances were perfectly synchronised to the film. These live versions deviated significantly from the album version. It was also played on the 1999–2002 In the Flesh tour (only stills from the animation were used) and appears on the In the Flesh concert DVD and CD. Waters also performed the song on his Us + Them Tour (2017-18),[7] in a version which resembles the album version, in which the music is yet again synchronised perfectly with the screen video.Studio notes[edit]
David Gilmour’s quotes on the recording process, taken from the Wish You Were Here songbook.[4]
The only time we’ve ever used tape speed to help us with vocals was on one line of the Machine song. It was a line I just couldn’t reach so we dropped the tape down half a semitone and then dropped the line in on the track.— David Gilmour, 1975, WYWH Songbook
It’s very much a made-up-in-the-studio thing which was all built up from a basic throbbing made on a VCS 3, with a one repeat echo used so that each ’boom’ is followed by an echo repeat to give the throb. With a number like that, you don’t start off with a regular concept of group structure or anything, and there’s no backing track either. Really it is just a studio proposition where we’re using tape for its own ends -- a form of collage using sound.
It’s very hard to get a full synthesiser tone down on tape. If you listen to them before and after they’ve been recorded, you’ll notice that you’ve lost a lot. And although I like the sound of a synthesiser through an amp, you still lose something that way as well. Eventually what we decided to do was to use D.I. on synthesiser because that way you don’t increase your losses and the final result sounds very much like a synthesiser through a stage amp.— David Gilmour, 1975, WYWH SongbookRoger Waters Setlist St PaulReferences[edit]
*^Bill Wyman. ’All 165 Pink Floyd Songs, Ranked From Worst to Best’. Vulture. Retrieved 22 February 2020. ..this is one of the greatest sci-fi rock songs of all time.
*^Strong, Martin C. (2004). The Great Rock Discography (7th ed.). Edinburgh: Canongate Books. p. 1177. ISBN1-84195-551-5.
*^Mabbett, Andy (1995). The Complete Guide to the Music of Pink Floyd. London: Omnibus Press. ISBN0-7119-4301-X.
*^ abCooper, Gary. ’Wish You Were Here songbook’. www.pink-floyd.org. Retrieved 22 July 2017.
*^Pink Floyd: Wish You Were Here (1975 Pink Floyd Music Publishers Ltd., London, England, ISBN0-7119-1029-4 [USA ISBN0-8256-1079-6])
*^Welcome to the Machine video on YouTube
*^’Roger Waters Setlist at Meadowlands Arena, East Rutherford’. setlist.fm. Retrieved 22 July 2017.External links[edit]Wikiquote has quotations related to: Wish You Were Here (Pink Floyd album)Us And Them Tour Setlist
*Lyrics of this song at MetroLyricsRetrieved from ’https://en.wikipedia.org/w/index.php?title=Welcome_to_the_Machine&oldid=992760007’Roger Waters Setlist MilwaukeeRoger Waters Setlistroger waters
*George Roger Waters (born 6 September 1943) is an English rock musician, singer-songwriter and composer. He gained fame as the principal songwriter, lyricist, bass player, co-lead vocalist and one of the founding members of the rock band Pink Floyd. setlist
*A set list, or setlist, is a document that lists the songs that a band or musical artist intends to play during a specific concert performance. Hand-written or printed, on paper, cardboard, or laminate, it is usually taped to the stage, or somewhere the musicians can see it.
*A document itemizing the songs to be played by a particular band or musical act for a particular show or tour
*A set-list is a playlist, or a grouping of songs, to serve a specific purpose during an event or performance.roger waters setlist - Pink Floyd 2 DVD set includes live Concert Part 1: ’Shine On’, ’Learning To Fly’, ’High Hopes’, ’Take It Back’, ’Coming Back To Life’, ’Sorrow’, ’Keep Talking’, ’Another Brick In The Wall (part 2)’ and ’One of These Days’ plus the Screen Films: ’Shine On’, ’High Hopes’ and ’Learning to Fly’ plus Bootlegging the Bootleggers: ’What Do You Want From Me’, ’On The Turning Way’, ’Poles Apart’ and ’Marooned’ plus the Shorts: ’Time’ (Eames), ’Money’ (Alien), ’Speak To Me’ (1987) and a Pulse TV Advert as well as the videos for ’Learning To Fly’ and ’Take It Back’. Disc 2 includes the Concert Part 2: ’Speak To Me’, ’Breathe’, ’On The Run’, ’Time’, ’The Great Gig In The Sky’, ’Money’, ’Us And Them’, ’Brain Damage’, ’Eclipse’, ’Wish You Were Here’, ’Comfortably Numb’ and ’Run Like Hell’. Screen Films include ’Speak To Me’ (graphic), ’On The Run’, ’Time 1994’, ’The Great Gig in the Sky’ (wave), ’Money’, ’Us And Them 1987’, ’Brain Damage’ and ’Eclipse’. Also includes alternate Screen Films, Behind the Scenes Footage, Rock and Roll Hall of Fame Induction Ceremony and Photo Gallery. The DVD boasts a 5.1 audio soundtrack and rare video footages including the entire Dark Side Of The Moon backdrop films and the not very well known Money alien version. The DVD lasts well over 3 hours!
At long last Pink Floyd: Pulse has arrived on DVD, and Floyd fans already know it’s a major cause to celebrate. The original VHS release was a milestone bestseller, but it seemed to take forever for the DVD to arrive, with numerous delays while Floyd guitarist David Gilmour and long-time Floyd producer James Guthrie labored to restore, re-edit, and remix this legendary concert video in 5.1-channel Dolby Surround Sound. The resulting two-disc set was well worth the wait: While the limitations of the original video source are still evident in the sometimes-hazy image quality (Gilmour would later admit the concert should have been captured on film), Floyd fans will unanimously agree that Pulse has never looked or sounded better, and only the absence of group co-founder Roger Waters prevents this from being the ultimate document of Pink Floyd in performance. (Even without Waters, it’s easily one of the group’s most impressive stage productions.) Gracefully directed with minimal intrusion by veteran music video and concert director David Mallet, and shot on video during Pink Floyd’s two-week stint at London’s Earls Court Exhibition Centre in October 1994, this 145-minute performance (from Floyd’s Division Bell tour) is a sonic marvel to behold. Under a massive arch festooned with then-state-of-the-art laser, lighting, and projection systems, the 1987 incarnation of Pink Floyd (Gilmour, keyboardist Richard Wright, and drummer Nick Mason) and their stellar supporting band kicks off with ’Shine on You Crazy Diamond’ (a loving tribute to Floyd co-founder Syd Barrett), followed by four tracks from The Division Bell, two from 1987’s A Momentary Lapse of Reason, ’Another Brick in the Wall (Part 2)’ from 1979’s magnum opus The Wall, and leading into intermission with an absolutely stunning performance of ’One of These Days,’ the timeless opening track from 1971’s Meddle.
The centerpiece of Disc 2 is a near-perfect performance of 1974’s Dark Side of the Moon in its entirety--reason enough to make this a must-have DVD for even the most casual Floyd admirers. And while no one will ever re-create the sheer magnificence of Clare Torry’s original tour de force vocals on ’The Great Gig in the Sky,’ it’s safe to say that backup singers Sam Brown, Claudia Fontaine, and Durga McBroom deliver the next best thing, in addition to seamless contributions throughout the concert. After the closing heartbeat of ’Eclipse,’ the concert ends with encore performances of ’Wish You Were Here,’ ’Comfortably Numb,’ and a no-holds-barred, pyrotechnically explosive rendition of The Wall’s ’Run Like Hell,’ all showcasing Gilmour’s guitar mastery with frequent close-ups of his picking and fret-work as seen throughout the concert. (Like Gilmour, Mason and Wright were never dynamic onstage, and that’s true here as well, but their technical precision is fully evident, and while guitarist Tim Renwick and saxophonist Dick Parry are each given moments to shine, bassist Guy Pratt is a worthy substitution for Waters, especially when vocally sparring with Gilmour on ’Run Like Hell.’)
With beautiful packaging, an 8-page booklet, and menu designs by long-time Floyd associate Storm Thorgerson, the DVDs offer an abundance of bonus features including ’Bootlegging the Bootleggers,’ featuring surprisingly good-quality ’boot’ video performances of ’What Do You Want From Me?,’ ’On the Turning Away,’ ’Poles Apart,’ and ’Marooned.’ The surreal round-ratio screen films seen throughout the concert can all be viewed independently (still in round format, and several offered in both original and alternate versions). Music videos for ’Learning to Fly’ and ’Take It Back’ are included on Disc 1, along with ’Tour Stuff’ including maps, itineraries, and stage plans for the 1994 tour. ’Say Goodbye to Life as We Know It’ is a playful backstage video (mostly involving the production staff’s ongoing quest for a good pint of beer), and after delivering a heartfelt introduction to Pink Floyd’s 1996 induction into the Rock and Roll Hall of Fame (with Roger Waters and Syd Barrett acknowledged by Gilmour), Smashing Pumpkins leader Billy Corgan joins Gilmour and Wright for a moving acoustic performance of ’Wish You Were Here’ (directed at Waters, perhaps?). Additional features include album cover art, a photo gallery, and the concert-only audio choice between a 448kbps audio bitstream or a higher-quality 640kbps stream for higher-quality DVD players. The system set-up feature ensures that audiophiles will achieve optimum speaker performance in keeping with Pink Floyd’s exacting technical standards. In tandem with the superior concert presentation, these features make Pulse one of the best--if not the best--music DVDs of 2006, guaranteed to satisfy Floyd fans for many years to come. --Jeff Shannon
More from Pink Floyd and David Gilmour
Pulse (CD)
Is There Anybody Out There?/The Wall Live Pink Floyd 1980-81
Pink Floyd--The Wall 25th Anniversary (DVD)
The Division Bell, Pink Floyd
Delicate Sound of Thunder, Pink Floyd
A Momentary Lapse of Reason, Pink Floyd
Live 8 on DVD--Featuring Pink Floyd
Pink Floyd--Live at Pompeii (Director’s Cut) (DVD), Pink Floyd
On an Island, David Gilmour
Roger Waters & I Hace exactamente un ano atras que este gran genio de la musica toco en nuestro Estadio Nacional un setlist memorable. Esta foto recuerda el momento mas feliz de mi vida (en el ambito floydiano) y casi como si fuera una treta del destino que presagiaba una hermosa relacion, fue el mismo fotografo que tomo la foto, quien unos meses despues tendria un bello noviazgo conmigo. Gracias Amor mio, porque una vez mas, pudiste capturar la esencia del momento.. Si no fuera por ti, no tendria recuerdo alguno de este gran momento. Te amo Osho!! Jonathan Davis (KIKA) - LOS ANGELES, 5 DIC Jonathan Davis, leader dei Korn, si esibisce da solista all’Orpheum Theatre, una delle sale storiche di Los Angeles. Nella setlist del tour sono inclusi brani della metal band e b-sides, canzoni tratte dalla colonna sonora del film La Regina dei Dannati e cover che Davis ama particolarmente. Supporters della serata oltre ai Godhead, il cantante Shenkar, famoso per le sue tonalita pop-tecno-indie e per aver collaborato con moltissime star del calibro di Bono, Madonna, Roger Waters, Elton John e altri. roger waters setlist Explosive live set from the hard-rocking hit-making band include the classic Smoke on the Water and many more tunes. 2001/color/120 min/NR.
’It works extremely well or it doesn’t work at all,’ says Deep Purple drummer Ian Paice on this concert DVD, reflecting on DP’s 25th anniversary reunion tour. This great-sounding disc (filmed in Birmingham, England, on November
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